composition
for performance and score requests, please email Jared
many recordings available on YouTube
listed by:
CHAMBER MUSIC | KOREAN PERFORMERS | SOLO INSTRUMENT | LARGE ENSEMBLE | DANCE/MULTIMEDIA
(some pieces double-listed)
CHAMBER MUSIC
No Voice is Hush’d
bass clarinet, string trio
14’ full version
10’ abbreviated version (2024)
Planctus (withdrawn for revision)
string quartet
8’ (2023)
Narcissus at the Well of Segais
b-flat clarinet, string trio
12’ (2023)
O Time Thy Pyramids
amplified percussion, violin, cello
(music for dance)
18~23’ (2022)
ECOUTE (Seashell Sail)
violin, viola, cello, piano
9’ (2021)
The Book of Ingenious Devices I
oboe, violin, cello, piano
8’ (2019-20)
Thornfish
toy pianos (1 pianist) and piccolo
5’ (2019)
Tongues of Angels
viola, piano
12' (2018-19)
Nachtlang
piano, cello, soprano (text: Paul Celan)
11' (2016-17)
Loess
bass flute, piano
10' (2017)
Down the Deep Stair
soprano, string quartet
(text: original: recomposition of Beckett and Yi Sang)
45' (2016-17)
Todesvogel
alto flute (doubling flute), piano
11' (2015)
“Pas de replâtrage, la structure est pourrie”
piano, e. guitar (doubling baritone e. guitar), contrabass (doubling e. bass)
12' (2012/15)
Vowels
female voice, B-flat clarinet (text: C. Bök
3' (2015)
Hemistichs
string sextet (2 vln, 2 vla, vc, cb)
8' (2008)
KOREAN TRADITIONAL PERFORMERS
Seonhye’s Five Dreams 선혜의 다섯 가지의 꿈
viola, daegeum
currently 2 movements of 5
8’ (2022)
Paradise is an Empty Lot ‘파라다이스’는 빈터다
saenghwang, electronics
c. 6’ (2020 - in progress)
First Birds 첫 새
geomungo, female jeongga voice
15-20’ (2018)
The Space Between 餘白 (여백)
solo geomungo
8’ (2018)
Oracle 神託 (신탁)
solo daegum
13’ (2017-18)
Shard, Womb 파편, 자궁
saenghwang, daegum, live electronics
9' (2018)
closed my dark eyes 캄캄한 눈을 감았네
daegum, ajaeng, violin, piano
18' (2017)
Shroud 수의
violin, gayageum
20' (2016-17)
Black Flower Blossoming 검은꽃피다
1. Dead Center of an Open Field
unaccompanied female pansori vocalist and stage lighting
15' (2015-16)
An Ever Dimmer Light 영영 사그라지는 불
two microtonally-tuned gayageum
9.5' (2015-16)
SOLO PERFORMER
Power
piano + live and fixed electronics (MaxMSP)
including free improvisation and composed sections
60’ (2024)
Innig
solo piano
10’ (2021)
Mille Regretz (Josquin transcription)
solo piano
2’ (2021)
Sa-ak
solo piano
9’ (2021)
Locus Amoenus
vocalizing flutist on flauto d’amore (in A)
(2020-21 - in progress)
Doth
solo piano
11’ (2019)
The Space Between 餘白 (여백)
solo geomungo
8’ (2018)
Oracle 神託 (신탁)
solo daegum
13’ (2017-18)
Black Flower Blossoming 검은꽃피다
1. Dead Center of an Open Field
unaccompanied female pansori vocalist and stage lighting
15' (2015-16)
Cervantes, Dreaming
solo piano
4' (2015)
Ó, duše drahá, jedinká (Dvořák transcription)
solo piano
3.5' (2015)
A Bird With No Throat
flutist and stage light
9.5' (2015)
Musette (J.P. Rameau transcription by Friedman, ending recomposed by Jared Redmond)
solo piano
3' (2014)
Komm, süßer Tod, komm selge Ruh! (J.S. Bach transcription)
solo piano
2' (2013)
Molto Fragile
solo piano
4' (2011)
Bagatelle
solo piano
4.5' (2009)
LARGE ENSEMBLE
Innigsten
full orchestra
12' (2015- )
(in progress)
Deep Song
soprano, twelve cellos (text: F. G. Lorca)
23' (2014)
Molto Fragile
chamber orchestra (1.1.1.1 / 1.1.1.0 / Perc. / Hp. / 1.1.1.1.1)
4' (2011)
DANCE/MULTIMEDIA
music for Korean modern/traditional dance and multimedia teams
O Time Thy Pyramids
amplified percussion, violin, cello
(music for dance)
18~23’ (2022)
Pandemic, Cleansing Ritual (팬데믹, 나례)
50’ (2021)
Music for modern/traditional Korean dance production
Transcendence (초월)
30’ (2020)
Max/MSP music with sensors, for modern dance and installation